Monthly Archives: May 2010

A dog’s view

Table legs on the menu

Table legs on the menu

I was doing a downward facing dog the other night when I noticed something extraordinary. A tiny sign on the side of a timber table leg proclaimed that this product should not be eaten.

Now, first the downward dog bit. If you’re unfamiliar with yoga, don’t let your imagination and sexually oriented fantasies run too wild. A downward facing dog (adho mukha svanasana) is one of the most recognised yoga poses and an integral part of the wonderful salute to the sun sequence. And how do I know that?

Many years ago I suffered chronic debilitating backache. I would go to the gym for some treadmill work, or a little aerobics if my spine could take it. I would often see the yoga class devotees, seemingly lying around on their cute little mats doing nothing too strenuous. Indeed, most of the time they seemed to be having a nice little kip.

Serenity

They walked out looking so serene

But something wasn’t quite right. For all the lying around these yogis appeared to be in very good physical shape. That puzzled me. And then the expressions of serenity and the faraway, contented looks in their eyes as they filed out of the class began to bug me.

So that’s when I started yoga? No, but I really wish I had. I continued to pay hundreds of dollars to a chiropractor for fortnightly relief, kneeled to make the bed because I couldn’t bend without excruciating pain, had to sit down to take my jeans, pants, socks, and whatever off, and whinged constantly about either how much my back hurt, or how many painkillers I had to take. The nearest I got to yogic bliss was the euphoria of mixing codeine, Panadol, and single malt scotch, but they were my drinking days after all.

A pain in the back

A pain in the back

Eventually, or should I say soon after Jane Teresa and I got together, I trundled reluctantly along to a yoga class. It was a cold night for Brisbane, so we were well rugged up, starting the session with fleeces and jumpers on. I was a little cranky. I was in the middle of a job and would have preferred to be sitting in front of my PC with a glass of red.

Within minutes I was stripped to T-shirt and shorts, the perspiration dribbling into my eyes as I viewed the world from the peculiar perspective of the downward facing dog position. It was dreadful and became considerably worse. Every fibre of my body was quivering with strain as I panted and puffed my way through the warm up. And I was yet to meet the warrior, the plank, and the three-legged dog.

Leaving that first class, I can’t say I exuded the same tranquillity and peace my fellow yogis were enjoying. I looked more like a stunned mullet, and I must have passed out during the savasana (the nice resty bit at the end) because JT had to come and wake me up.

One-legged underpants dance

One-legged underpants dance

It only took a few more classes before yoga became an indispensable part of my life. High stress levels became a thing of the past, my back improved out of sight, and although I would not go so far as to say I’m exactly super flexible, I can bend it with the best of them when it comes to the one-legged underpants dance.

But what about that sign? Who would put such an important warning in a place that could only be read by a downward facing dog? And who on earth would contemplate munching on a wooden table leg?

Words of war

Inadvertently listening to a conversation

Inadvertently listening to a conversation

I was listening to a loud conversation the other day. I hesitate to say that it was in a café because a number of people have commented recently that rather nice cafés seem to be where I spend most of my time, and have asked if I ever actually write.

When you’re a sociable sort of bloke who enjoys the buzz of a busy inner city java-joint, writing for endless hours alone often calls for a contrasting environment to refresh and revitalise the brain. An hour’s break to contemplate humanity, or interact socially, soon fires up the neurons for another session at the keyboard. It’s simply a matter of balance.

But let’s get back to that conversation. A rather smartly dressed young man was complaining to his comrades that he’d spent hours crafting an email to a web development company, explaining to them exactly why he was unhappy with their service.

Choose your words carefully

Choose your words carefully

“I wanted them to get the message in one email, so I chose my words carefully,” he said. “I covered every aspect of the problem in detail, and I even had my girlfriend read it so that I got it right. And then I get an email back from them full of advice and proposals, but none of it had anything to do with my issue. It’s as if they never even read the email I sent!”

That certainly struck a chord with me. In fact, much the same happened with one of my emails a couple of years ago. Fortunately I knew the addressee rather well, and was able to sit down and have a heart-to-heart to find out what went wrong.

“It’s too much,” he told me. “Every day I get emails that I don’t have time to read, never mind fully absorb. I end up just scanning through them to get the gist and hope I get it right.”

“And if you don’t …?”

He shrugged miserably. I lose customers, get stressed, and end up speed reading even faster because I feel panicked.”

That’s an extreme example of a very common phenomenon. We simply don’t make the time to read properly. Add the fact that the material we’re reading is often poorly written and it’s no wonder we’re confused and end up wasting more time unravelling meaning and getting even more stressed.

Excuse me, sire, did you actually read it?

Excuse me, sire, did you actually read it?

Combine bad writing with hasty reading and things can get nasty. There’s an urban myth about a letter sent to an emissary in a volatile nation that was read as a direct insult. The unintended affront was caused by the smeared remains of a tiny insect on the paper creating a phantom comma in the wrong place in the opening sentence. If the letter’s recipient had read the entire missive properly he would have understood the error, instead of commencing retaliatory hostilities and dispensing with a few lives.

Ghost writing is often about disentangling a few obscure ideas mixed with random thoughts, and that’s one of the great challenges of the job. However, if I’m in doubt, it saves a lot of everyone’s time if I just ask the client what they mean, instead of making assumptions. Well, we wouldn’t want to start a war, would we?

Other people’s words

Being critiqued is so much fun

Being critiqued is so much fun

Many years ago, I gave my then friend, Jane Teresa, a swag of articles I’d written. I felt an enormous sense of pride as I handed them over. After all, JT, was a published author, and she was interested in my work – a rare combination. Actually, truth to tell, I was almost wetting myself in anticipation of the bit of praise I knew would be coming my way.

Little did I know that I was about to experience something every writer should. And that experience was going to be excruciatingly painful, emotionally disturbing, and completely heartbreaking. I could have easily given up the pen (and the friendship – no, I lie about that) right then, and if it were not for JT’s encouraging words that accompanied the awful ripping as she dissected my work, I would never have written again.

Fortunately, I continued to write and, not only did

Excuse me, you wouldn't have a spare stake on you, would you?

Excuse me, you wouldn't have a spare stake on you, would you?

Jane and I marry, but we also formed an extraordinary team for many adventures. I learned loads of lessons from those early critiques, but, more importantly, what was driven home like a stake through a vampire’s heart, was an indelible memory of pain and wounded pride that will endure forever. Isn’t that great?

From time to time, ghostwriting is not so much about finding new words, but resurrecting the old. For example, clients who present their tenderly crafted words for appraisal have the reasonable perception that the work may, at the most, just require a bit of a polish. And sometimes that’s all it does need. However, if the ghost is faced with a bit of a dog’s dinner, it would be as well for him to remember how those razor edges of rejection felt to oneself before ploughing ahead with a critique of another’s efforts.

Bit of a dogs' dinner

Bit of a dogs' dinner

Not long ago, I had a lovely lady client. She was elderly, poised, almost stately, and the epitome of good manners. As we progressed, she happily accepted my total rewriting of her book with the same emailed response, ‘reads well’. After a dozen or so of these I began to wonder if she was actually reading what I’d sent. I mean, some of the changes I’d made were quite dramatic. And then, halfway through the book, I had an email from her with a piece of text I’d edited out pasted into the message. It was accompanied by large red font which said, ‘Michael, I really fucking like this. Please leave it in’.

Yes, I was as shocked as you no doubt are. But, after I’d laughed out loud, I had a think. Had I become careless, or thoughtless? Immersed in my writer’s zone, and on a roll, had I lost some sensitivity to my client’s precious words? I’ll probably never know, but as a sharp reminder, the message served its purpose.

The secret life of a ghost writer

The ghostly cafe

The ghostly cafe

Getting a ghost writer in front of a public microphone is as difficult as persuading a photographer to appear at the sharp end of a camera.

“But there are questions to be answered,” my lovely wife, Jane Teresa, insisted. “All I have to do is press this button while we’re having coffee.”

And that’s how it happened. Many of the questions I’m asked at social events and professional meetings are answered here. Of course, there are many more, and what better way of answering them than over first-class long blacks in one of Brisbane’s great cafés.

So, yes, we’ll do it again for sure. And, in the short wait to my next long black, please drop me a line if you have any queries about ghost writing. I’d love to hear from you and, apart from making my coffee tryst with my wife tax deductible, you would be helping folk out there understand what I do, and how I do it.

Have a listen!


On the phone

Gail Jones - Dreams of Speaking

Gail Jones - Dreams of Speaking

In her novel Dreams of Speaking (2005 Age Book of the Year Award), Gail Jones introduces us to Mr Sakamoto, a Japanese survivor of Hiroshima. Intelligent and urbane, he’s also an expert on Alexander Graham Bell, the pioneering engineer credited with inventing the telephone.

Mr Sakamoto’s fascination with Bell began with his own personal experiences of the phone and, from the narrative, it’s clear that the deeply personal interactions that Sakamoto enjoyed over the wires actually kept him sane during some of the darker moments of his life.

Without giving away what is a wonderful story, Ms Jones engages the reader with aspects of that priceless medium of human contact, the voice. But, in this case, it’s not the voice heard face-to-face that fascinates. It’s the voice on the other end of the phone. When whispered, murmured, and sighed, Mr Sakamoto suggests that words on the phone take on subtle nuances and inflections of shared confidentialities that wouldn’t occur face-to-face.

There's meaning in the voice

There's meaning in the voice

Today, satellites and fibre optics are replacing copper cable, and mobiles and VoIP are replacing the traditional dial phone. What remains, however, is the physical separation of conversationalists, a void waiting to be filled by the vibrating elements of speech and the rich and personal timbres of the voice.

I find face-to-face and phone discussions each have their own merits. But the phone does dispense with many of the constraints we must observe in a physical encounter, particularly between strangers. There is no body language to distract from the way something is said, no background noises to blur or conceal a nuance, no social behaviours or appearances to misjudge, and every reason to deeply engage one’s senses in an effort to fully comprehend the message in the voice.

Sometimes my work involves encouraging a client to think through an experience, to relive it, and ride a few bumps in the process. In those extremely sensitive moments, the phone is a tangible thing to hang onto. And not so much as a grip of abject terror, but more of a support as the emotions flow and ebb with the memories.

You can hear the client's thought processes

You can hear the client's thought processes

On the phone, comfortable, respectful, or reflective silences become part of a deeper conversation. One can almost hear the client’s thought processes, and it feels perfectly natural and unobtrusive to respond with ah, or hmm, just to let them know I’m there. Even the hum from the ether seems perfectly in tune with the moment.

Signs of the Times

Diving under the Brisbane River

Diving under the Brisbane River

We have a new tunnel. It dives under the Brisbane River, linking the south with the north and bypassing the city centre in a most convenient way.

When the tunnel opened, the toll was suspended to allow motorists the opportunity to test drive (and hopefully get hooked on) the new route. When the toll was imposed after the trial period, traffic through the tunnel dropped off. Actually it plummeted, despite a well considered discount. Within days, stakeholders and the media began to make remarks that sounded a little panicky.

Die? A split second decision

Die? A split second decision

Approaching one of the tunnel onramps the other day, I saw an enormous electronic sign with the message No tag? It then changed to We will bill you. Think about that. Those two sequential messages can be taken as a threat. They aren’t encouraging you to use the tunnel by saying that if you don’t have an e-Tag, it’s not a problem and they’ll catch up with you later. They are warning you, yes warning you, that if you proceed into the tunnel they desperately want you to use, they will bill you. And being billed is not perceived as a pleasant experience by most of us.

Sign writer on drugs

Sign writer on drugs

I regularly write about words, and how many of the words we use are often unnecessary. However, sometimes we need to add words to clarify a meaning. The tunnel operators were attempting to encourage users with their words, but their brevity terrified, albeit subliminally. What if the sign had flashed an in-between message? No tag? … No worries … We will bill you.

Of course, over the following days, I started looking at signs more closely. One at our local cinema encouraged me to join the movie club with the words, You’ll never pay full price again, unwittingly omitting to inform me that the discounted price was dependent on my continuing to pay the club subscription.

Hats: An Anthology by Stephen Jones, is a really cool exhibition currently showing at the Queensland Art Gallery – a must-see by the way. The huge sign advertising it in South Brisbane makes it unclear as to whether the exhibition is exclusive to Brisbane, or free only in Brisbane.

This way to the picnic area

This way to the picnic area

And then, as I began to notice more and more anomalies, it struck me. Some advertisers are investing huge dollars in clever imagery, but, without considering their words carefully, are failing to get the message across.

What do you think? Seen any interesting signs around the place?

Losing can be winning

Are you getting that weird feeling?

Are you getting that weird feeling?

Do you ever get a weird feeling somewhere around the pit of your stomach? I’m talking about something that ranges between an imperceptible tingle and a full-on lurch depending on what triggers it. I’ve heard it referred to as a feeling of dread, a nervous twinge, abject fear, a premonition, or plain old shitting oneself.

Looking in the rear view mirror in the middle of a totally absorbing conversation and seeing a cop car with its light flashing will always do it for me. There’s usually one clear expletive that will ensue from such a vision, and it ain’t oh, darn.

Last week I had my own intestine chilling experience when I posted a profound question in Twitter (I realise Twitter and profundity is a contradiction) that I’d contemplated for half an hour. As I hit enter I realised my question was sans question mark. How stupid, I thought. I’m supposed to be a writer. My next thought came quite logically (and practically), As if anyone would notice. But, yes, they did. And did I go through their tweets to check their grammar? I mean, would I?

Barking up the wrong tree

Barking up the wrong tree

The question of how long to spend editing can be a thorny one for a ghostwriter. Some published works have been known to take anything between one to ten years to complete, with some tomes enduring hundreds of editing sweeps during the writing process, and authors agonising for months over a single sentence.

Time is money to a ghostwriter, and because it’s the client’s money we’re talking about here, any unduly protracted work has to be avoided. Barking up the wrong tree is sometimes part of the writing process, particularly when research is involved. But knowing when to stop sniffing around that particular piece of flora and head off in a more appropriate direction comes only with experience.

Ghostwriters have to be prepared to lose words, and sometimes unexpectedly. For example, in the middle of a project a client approved 10,000 words I’d written for her. It was a part of the book that dealt with a truly terrible time in her life. Having never verbalised the experiences before, she had found the interview, however informal I tried to make it, a fairly rough ride.

The tears released her

The tears released her

A week later she called again to say thanks and to inform me that she’d read the material over and over and had wept buckets. Now, for the first time in her life, she felt she could forgive and move on. She added that the words had brought about a healing that she had never imagined possible, and rather than include them in the book where they would be likely to reopen old wounds for the people involved, she preferred to see them excised forever.

Sometimes to have a win-win, you have to aim for lose-lose.

And, talking of losing, how much is that traffic fine again?