Category Archives: About ghosts

What’s in a name?

Freddy Krueger

Freddy Krueger

In my last blog we looked at how much fiction was based on real life experiences. Since then my wife, Jane Teresa, wrote a blog about A Nightmare on Elm Street, a theme she had been asked about on a radio talk-back show. We had to watch the original 1984 movie, hailed as a landmark in the ‘slasher’ genre, because neither one of us had seen it.

Jane Teresa—who was ready from the start to leap nervously into my armpit—and I actually found the movie quite tame. It was the titbit in the little bit of research Jane Teresa did afterwards that really caught my attention.

Freddie Krueger, the evil phantom who plagued a bunch of high school kids (one of whom was the incredibly young looking Johnny Depp), was named after a real-life character who bullied the writer and director, Wes Craven, in the school yard.  His name was Fred Krueger.

Now, how would you feel? You’ve grown up. You’re in a respectable profession. Maybe you’re a kind-hearted teacher with three gentle children and a lovely wife. And then you’re thrust into the limelight as the influence behind a blockbuster slasher movie, and not in a good way.

A Happy Family

A Happy Family

Worse still, the movie is franchised, making Freddy Krueger a household name world over. There are eight more movies (grossing over $455 million), a TV show, and more merchandising than you could wave Freddy’s stick at.

I wonder where the real Freddy is now. And how does he feel? Has he changed his name, been chased out of the neighbourhood, and lost his family and his job?

You never know what’s going to happen when you point the finger, do you?

Believe it, or not!

Childhood memories

Childhood memories

How much of our fiction writing is drawn from real life? How often do we base our characters on people we know? And are those places we invent actually drawn from childhood memories, or somewhere we’ve once visited, or a bit of both?

Imagination

Imagination

Writers of speculative fiction can create whole new worlds, races of people, social structures, weaponry, even entire languages that come straight from their imaginations. How they do that is beyond me. Like most of us, I have to have points of reference. If I write about a bunch of little kids having a fight, I have to remember a schoolyard altercation I was involved in, witnessed, or heard about, and develop the scene from there.

World domination

World domination

So, when someone asks me if a character in a piece of fiction is actually me, it’s hard to respond with an unequivocal, ‘No!’ even when the character is about to do something really despicable—not like me at all, I assure you. I certainly base my characters on elements of real people, and my own experiences, but that’s where the similarity ends. I’ve no desire to embark on an evil mission of world domination, thank you very much, but it is fun working out how it can be done. In fact … oh, forget it, that one’s already been tried.

How much of you and your experiences goes into your writing?

Interstitial what?

The Antidote

The Antidote

There are a couple of books by Oliver Burkeman that I became acquainted with this month—yes, I do tend to find authors I really like and read everything they’ve written: Help!, an interesting search for the best aspects of self-help, and The Antidote, where Burkeman renounces positive thinking in a droll search for happiness.

They were both interesting reads, however in Help! I came across the term ‘interstitial time’ coined by blogger, Merlin Mann. Now, I’m always on the lookout for ways to improve our writing opportunities, adding them to my list of possible solutions for time-poor clients. Or, in some cases, to parry some of the devilishly clever excuses some will come up with not to write when they can—and should.

Burkeman’s point is that it would indeed be marvellous to have large chunks of time devoted to writing in our idyllic lakeside cabin, although I’ve found there are certain realities here which shouldn’t go unappreciated (see my Lonesome Ghost, or near-death-by isolation blog here), and to wallow in some of the writing rituals we hear some renowned authors indulge in: starting at the right time, lucky pen stationed just so, faithful dog positioned by the hearth, inspirational music played at the optimum level for, well, inspiration, I guess.

The writer's view

The writer's view

However, in our often rat-racy existence we are beset by less than inspirational small chunks of time: sitting in doctors’ surgeries, travelling by public transport, waiting at airports, or contemplating the kids’ music teacher’s car park wall for an hour in the piddling rain. What do we do? Check everything we can on our smart phones or tablets, read a book, or stare meaninglessly at some point in space until our eyes grow heavy and close?

Or, can we use these times to write, make notes, and formulate ideas— anything that will stimulate the progress of our book? Try it! There’s an edgy feel to using this ‘stolen’ time. And, more importantly, there’s a lack of expectation—and therefore pressure—to make anything worthwhile come of it. After all, it’s merely a bit of interstitial time. It can also become extremely habit-forming, and that’s not a bad thing, is it?

What do you do when you aren’t doing?

It didn’t happen like that, or did it?

I love referring clients to Julian Barnes’ Sense of an Ending. To me, that pithy novella and winner of the Man Booker Prize 2011 represents all that is good about contemporary writing. Short enough for the poorest attention span (a gnat’s, I believe, being the present scientific medium of comparison), disarmingly sweet and simple, it is also a swollen river of thought-provoking undercurrents.

Yup, you guessed it—I like that book. But what I like about it most of all is the way Barnes has the reader believe the lifetime memories of the protagonist, until they are eventually completely shattered by someone else’s recollection of what happened.

Ask a law-enforcement officer

Ask a law-enforcement officer

Isn’t life just like that? Separately ask a number of witnesses to remember what happened at a particularly memorable event in the past and they will often come up with wildly differing accounts. Ask any experienced law-enforcement officer and they’ll confirm that obtaining corroborating evidence is extremely difficult. And how often does an after-dinner story become a lively discussion—OK, argument then—about whose version of that holiday incident is the more accurate? Let’s face it, the ways people remember things are, well, different.

So what’s this got to do with writing? Apply the exercise of recalling memories to writing a memoir. Which author gives the right version? The first one into print? The most famous?

When was the last time you totally disagreed with a version of events, and knew—just knew—you were right?

WTF

What does it mean?

What does it mean?

I’ve become a little irritated in this era of modern communication where folk (even older generations) regularly, if not persistently, omit capitalisation from emails and text messages.  Why? Is it because it’s easier for our hard-pressed fingers to move more speedily, saving time so we can rush off to the next fifteen second activity?

The problem, of course, is that the message recipient, who clearly hasn’t got the busy and interesting life of the sender, is left spending considerable time deciphering the garbled information. What with truncated words and a heap of misspelled and therefore meaningless acronyms, we’re left wondering WTF.

The following quote landed in my inbox via my fellow ghost, Grant McDuling, a couple of months ago.

“Capitalisation is the difference between helping your Uncle Jack off a horse and helping your uncle jack off a horse.”

Perhaps we should all be a little more considerate with our capitalisation. Otherwise we can look really busy, but way too uncool.

Had any strange messages lately?

What should writers read?

You can’t be much of a writer if you’re not a reader. And you should have read sufficient of your genre if you intend to become good at it. It’s a bit pointless writing historical romances when you only read sci-fi, don’t you think?

You want me to read what?

You want me to read what?

But what else should you be reading? I’d go nuts if I had to stick to one particular genre. My tastes range from literary fiction to chick lit, and all points in between, although I draw a line at speculative fiction—I just can’t see it.

There have been numerous theories flung around about what writers should read. For example, one insisted that reading a trashy novel would be seriously detrimental to a literary fiction writer’s work. We now know that to be nonsense. Literary fiction writers read the news just like the rest of us.

So, what do you read? Is it connected in any way to what you write?

Finding time to read

In Michael Hyatt’s blog about five ways to find time to read, he comes up with some useful ideas. You can read the blog post here.

Finding reading time seems to be a real problem for many avid readers. Time slips by, and how many books have you read in 2011? One of Michael Hyatt’s solutions was to make a sacrifice and turn the TV off at 9pm. I’d go further than that and suggest that if you seriously want to catch up on your reading, don’t turn the bloody thing on at all.

Turn it off!

Turn it off!

At home we made an effort to avoid TV over ten years ago. As a result, I munch through a book and a half week on average. Let’s see, that’s almost 800 books. And what have I missed on the box? Hmm.

After dinner, I feel as weary as the next person. In fact it’s hard to get up the enthusiasm to do anything, never mind read. But once I start and the magic swirls from the pages, it’s way past bed time before I realise. What say you?

The Last Book

Having free rein

Having free rein

No, it’s not the last book I’ll ever write. And, in my line of work, it certainly isn’t the first. That’s what I do—write books for other authors, or coach people to write their own.

Recently I’ve been ghost writing a lot of fiction, which I especially enjoy when I have free rein within the basic story lines, allowing my creative mind to run amok and have a ball.

All fired up and ready for more fun, I decided it was time to write another novel of my own. There is a sub-plot to this, where my wife, Jane Teresa, and a good friend, Viv, conspired (my take on it) to make this happen. I like to tell people that the reason I chose to write the book was to get those two off my back, but of course that’s just the cream on a good story—hmm, or is it?

Just like real life

Just like real life

I decided that if I was to thoroughly enjoy writing this novel, it had to be about manipulation, foul deeds, love (and sex, naturally), conspiracies, and teams of goodies and baddies all finding extraordinary ways to help or harm each other. In other words, a pacy, easy read thriller, laced with red herrings and surprises—just like real life.

It started off well. I had a quick 8,000 word entrée, and then it all went slightly pear-shaped. The problem? I’m a seat of my pants writer when I’m in it for thrills. That means I allow the story to unfold as I write, with the characters dictating where it goes. Like many writers, given free rein I have absolutely no idea how the plot will evolve because I don’t have one in my head to start with. So I found myself suddenly confronted by phalanx after phalanx of complex, multi-faceted scenarios and the storyline possibilities were becoming enormous. What to do?

This is when you need to talk it over. Not with anyone. You should choose your friend or co-conspirator carefully. It should be a person who is empathetic to your endeavours, yet prepared to be completely honest. They should know they’re in for the long haul, and be ready to read and reread your manuscript until they never want to see it again. I’m not talking about your beta readers here. They come along later—nice and fresh—ready to pick the holes (and there will be whoppers) in your continuity and point out all the silly words and typos.

I was fortunate to have Euan, my stepson, offer his time. After he read the first 8,000 words we had a thirty minute brainstorming session, looking at many potential storylines and coming up with something very vague but which allowed the work to move on. It was going somewhere. I wasn’t sure where—but definitely somewhere.

It meant a complete rewrite.

It meant a complete rewrite.

I was pretty pleased with myself when I handed him 40,000 words a few weeks later. I was almost half-way through. But, meeting for coffee a few days after he’d had time to read it, I wasn’t thrilled with his verdict. Not initially. ‘There’s no suspense. You’re giving away all the secrets far too early,’ he told me. That morning Jane Teresa had also thrown my thoughts into a quandary when she told me that the story really needed a more emotive sub-plot. Hmm, what now?

It meant a complete rewrite. Terrible? Not at all. Within hours the unconscious mind was bubbling through, supplying the necessary inspiration to forge on. The solutions would have been there all along, quietly cooking in the darker recesses of my mind. And the unconscious mind never fails to astonish me. I wonder why the hell I’ve introduced a particular character at a certain point in the story and then, bingo! Twenty thousand words later I need a person exactly like that.

Let your unconscious mind help you out.

Let your unconscious mind help you out.

Many writers, past and present, have been inspired by the people around them. It may be a friend, or family, an editor, ghostwriter, or book coach. Who is supporting you, and giving you the opportunity to explore your ideas? Are they empathetic or critical? Do they know where you’re coming from and can they help you find where you’re going? Will they help you succeed?

Would you like to read a short extract from The Last Book?

Click through to extract

Click through to extract

In the way of the French

Faster than a speeding snail

Faster than a speeding snail

In my late teens, I and three companions—my girlfriend, Vanessa, and two cousins, Derek and Lenora—decided to take my very shaky Ford Cortina from London to the south of France. We’d never been to France and had been invited to help rebuild an ancient farmhouse in return for food, a place to camp, and drink.

The people who’d invited us were friends who’d either forgotten or chose to ignore the fact that all four of us drank an awful lot, particularly when a bottle of red wine of dubious quality was only two francs—but that’s another story. We had to get there first.

The epitome of all things French

The epitome of all things French

One thing that both Derek and I were totally fixated on having was real French coffee in a real French café, with cognac and foul-smelling Gauloise cigarettes at hand, of course. This goal was to be attained as soon as possible because it would mark our arrival in France and, in our naïve minds, instantly immerse us in French culture. We probably even expected our excruciating schoolboy French to become fluent in the moment, allowing us to discuss the finer points of Sartre and Beauvoir with the locals.

It was mid morning when we spotted the most ideal café on earth. We were heading south through northern France, having endured a shocking channel crossing by new-fangled hovercraft. I was at the wheel when we drove onto French soil and was still nauseous enough from the rough seas to come off the first roundabout into the wrong carriageway of a motorway. We agreed that all that traffic hurtling towards us couldn’t possibly be in error, and proceeded to hold it up while we turned around. The ensuing insults and horn-blowing were quite upsetting and we had the impression that the Gauls would have preferred us to keep going while they weaved around us.

Cafe of our dreams

Cafe of our dreams

All was forgiven when we entered a quiet and tranquil village off the beaten track (we were quite lost actually) and admired the café of our dreams, perched in a sunny, picture-postcard setting at one side of the village square. It was a moment of great anticipation. Even the ladies had become excited at the thought of soaking up the atmosphere of beau monde de France.

After the sunshine outside it was quite shadowy inside the café, resulting in a little body shunting and toe standing as we shuffled around and peered into the gloom. A long wooden servery dominated the room and behind it we could make out an enormous lady dressed in a grubby white pinny. Derek, always the more courageous, called in a voice a little louder than the norm, ‘Bonjour, bonjour, comment vas-tu ma fille?’ Or I think that’s what he said. As my vision adjusted to the shade, my attention was distracted by the observation that the lady was extremely hairy, and sported, apart from thick black hairy arms, a moustache and beard. The resultant stony silence didn’t deter Derek at all, and before I could say anything he’d forged on, ‘Pouvons-nous avoir le petite café et cognac maintenant madame?’

The domino effect

The domino effect

In the corner, four men were huddled over a game of dominos. Their game forgotten, they stared, in a not discernibly friendly way, at the rude commotion in the doorway. I was torn between bolting and continuing the debacle. The latter won simply because the men were dressed in baggy grey outfits, brownish formless jackets and—wait for it—wore berets. So French! That did it.

‘Let’s just take a seat and see what happens,’ I whispered. The others were visibly relieved. No-one said a word, so we had nothing to lose.

The scraping of rude wooden chairs on the lumpy lino as we sat down seemed to fill the entire room with teeth-jarring noise but we eventually got ourselves settled. Derek had given one of the domino players a friendly nod which, although ignored, encouraged the group to begin playing again—in utter silence.

Thick strong coffee arrived in tiny cups. We’d never seen anything like this before. Nescafe was as sophisticated as it came in England. Four glasses of strongly smelling, foul tasting, urine-hued liquid followed. Derek and I lit a Gauloise, gave each other a triumphant wink, and smugly contemplated the scene. We’d made it. We were in France, amongst the French and doing things that normal French people did.

The black poodle

The black poodle

A number of glasses of so-called cognac later it began to taste quite good. We began to replan our route to take in more of these out-of-the-way places. They were obviously fun and interesting. We began to relax. We were experienced and successful travellers now. As my alcohol to blood ratio increased, I became more effusive, waving my hands and arms about in what I perceived, in my ignorance, to be the perfect Gallic manner.

The café had a poodle—a black, long-haired thing that spent its time scurrying around the tables in an ever-hopeful quest for titbits. It happened to be tootling by when, in one of my most vociferous moments, I made a strong point by energetically windmilling an arm. This was the same arm that had the hand attached that held a Gauloise. The cigarette’s smouldering tip brushed against the poodle’s forehead and stayed there.

It wasn’t until I lifted the Gauloise to my lips and noticed that there was no longer a lit end, heard the appalling racket of a dog reacting to its head being singed, and smelt the awful stench of burning fur, that I realised what had happened.

Bite this dust Mr Bond

Bite this dust Mr Bond

Derek and I leapt to our feet and, in trying to save the dog from further barbecuing, managed to upend the domino table which, sadly, was in the final, nail-biting throes of a game.

Thank goodness one of us could still drive. The getaway would have done James Bond proud.

Writing in Blood

You want it in blood?

You want it in blood?

I came across an interesting question the other day: Why write in ink when you can write in blood? And, while we’re about it, we can add to our discomfort about the dripping, body-warm, gore splattered nature of the question by suggesting that it opens a can or two of slimy, wriggly things, freshly gathered from a half-open grave.

Feeling a little nauseous? If you have a half-way decent mental-visual response to words, I’m not surprised. That was a load of gratuitous material designed to evoke disgust for some readers and a morbid fascination for others.

Scratches on my best cave wall.

Scratches on my best cave wall.

We’ve written in blood since man first scraped the burnt end of a stick on a flat surface. Homer did it and the bible’s full of it, so it goes back a while. Before that, indigenous folk managed to portray some graphic examples of brain bashing and limb severing on their cave walls. Later on, Shakespeare reputedly made a grand living from a few well directed splashes of the big red, and Poe is regarded as the architect of modern horror.

So the art of making us squirm has been with us since the dawn of civilization and is still with us today in bucket loads. The bottom line is that, apart from writings of love and all its machinations, words that are crafted to horrify us are right up there in the popularity stakes—oh, talking of stakes, did I mention Vlad the Impaler (Dracula)? Now, the vampire game has certainly stood the test of time with releases of more new hot young vampires due in print and then onto the big screen later this year. We just can’t get enough of them, can we?

A hot young vampire

A hot young vampire

Of course words that churn our stomachs sell well. And, if publishers can see the bucks in a few pails of crushed bones and curdled blood, that’s what they’ll continue to slap out. Some of us actually enjoy writing that stuff.

From time to time, I relish writing to an extreme goal. It’s almost relaxing. And, for whatever arcane reason, I find it relatively easy to write in blood. I won’t go so far as to say it’s therapeutic but, well, you know …

It could be that my background in law enforcement has made me hardy to the visuals required to write in blood. I suspect that’s probably the case. Those experiences haven’t left me unaffected by, or impervious to, the realities of human suffering. And they certainly don’t make me inured to my own. For someone more than used to dealing with the gruesome results of violent crime, it’s quite embarrassing to be refused the opportunity to donate blood. I must be the only person I know who received a letter from the Red Cross asking me never to return.

For sale - crushed bones and curdled blood

For sale - crushed bones and curdled blood

There’s a story in there somewhere. Would you like me to blog it?


A friend indeed

Friends?

I was having a cup of coffee with Jane Teresa the other day—a not infrequent pleasure—when, on my way back from a loo visit, someone stopped me to say, hello.

‘I was talking to a friend of yours last week …’ the conversation went. It was a propitious encounter. The person who waylaid me wanted to write a book and had heard that I did book coaching.

There was something about that encounter that kept nudging my mind over the next couple of days before it finally bubbled to the surface and I got it. The simple, everyday term, friend, had been flagged deep in my grey matter as something quite intriguing and requiring further consideration.

Facebook

Facebook

What or who is a friend? Only ten years ago, it was simple. A friend was someone you knew rather well, probably someone you trusted, and a person you had known for a considerable time. You may have referred to them as a pal, buddy, chum, mate, or comrade. You may even have given them the most exalted title of best friend. For the next tier down in intimacy, you may have used the term acquaintance, associate, contact, or colleague. Everything was pretty well defined, wasn’t it? So what has changed?

The phenomenon of the 21st century is social networking—a method of expanding social and business contacts through connecting with others. Yes, social networking has been around since humans began to communicate, but the Internet has recently taken the game to an entirely new level. I’m playing it right now just writing this blog—but you know that. And then along came Facebook.

Facebook, so the legend goes, was originally designed for college students by Mark Zuckerberg in a fit of pique, and the rest, as we know, is recent history. Apart from all the arguments for and against, what is now an institution until the next best thing comes along is a very friendly place. There are 500 million active users with fifty percent of them logging on every single day. The average user has 130 friends. Aah, those friends.

Mark Zuckerberg

I have friends on Facebook I have never met and probably never will. I have friends on Facebook I don’t even communicate with except to like, tag or poke from time-to-time and, usually, not even that. So do I log on? Yup, every single day.

In a single stroke of his keyboard, Mark Zuckerberg destroyed the meaning of one of the English language’s oldest and most clearly understood words. We need to find a replacement. Any ideas?

A pas de deux

A nice little swim

A nice little swim

It’s that in-between time—the funny period that separates Christmas and New Year. I really enjoy these few brief days. Before Christmas it’s hectic. There’s simply too much to do and not enough time to either do it properly or, more importantly, enjoy doing it.

Now, timeframes and targets have been achieved, final drafts have been prepared, clients are happy, and there’s the opportunity to do the lawns and tend to the pool in the anticipation of the odd swim—when Brisbane’s worst coldest and wettest December on record comes to an end that is.

There’s also time and space for reflection. In the months before Christmas I was beginning to think hyperventilating was a normal method of breathing. I’m joking of course. Folk in our industry have to learn the basic disciplines of relaxation very early in their careers, or they’re likely to burst into flames every time the heat’s turned up.

It was pissing it down

It was pissing it down

All that aside, there was one moment in the week before Christmas when I lost the plot. It was raining. Actually it was pissing it down. And while it happened to be raining thus, I discovered a minute window of opportunity between a mass of assignments to scamper to the supermarket for some seriously needed supplies.

Jane Teresa has a silver car and I have a blue one. I was already soaked by the time I reached the drive to discover that her car was parked in front of mine, so what did I do? Of course, I took her car.

Keeping his head warm

Keeping his head warm

Have you ever had your vehicle stolen? I did many years ago. There’s a feeling of disbelief when you look at the place where you left your motor and find that it isn’t there. I was only twenty when mine was flogged in London. At first I thought it had been towed, but in those days parking was easy peasy and I’d definitely left it in a good spot. Not safe as it turned out, but good.

So, I find myself on this rainy day, weighed down by a multitude of shopping bags, standing in the middle of the supermarket car park looking for the car. The water was hammering down so hard that the inside of my brolly was wet from ricocheting rain drops, my sandalled feet were slithering hopelessly in the deluge of water that poured across the bitumen, and my glasses were fogged up from leaving the insanely air-conditioned supermarket for the 100% humidity outside. Where was it?

‘Move it did they?’ cackled an old bat as she hit the remote, unlocking her nice, dry Mercedes.

Dropping my shopping in a nearby lake

Dropping my shopping in a nearby lake

For over fifteen minutes I cruised that carpark in the smashing rain and, believe me, it’s a big one. I mentally retraced my route in. I normally park in roughly the same place, probably further away from the entrance than most people because I can’t be bothered hovering close to the main doors in the hope that someone will conveniently vacate a spot. I prefer to drive slightly out of the way and convince myself that the walk does me good.

Eventually, I had to concede that the car had been pinched. Dropping my shopping in a nearby lake, I fished around in my pocket for my mobile, intending to ask Jane Teresa to come and pick me up. As my wet fingers fumbled around my soggy pocket they happened to brush against the car’s remote. CLUNK! I heard right next to me. At first I assumed that another shopper was scurrying towards their nice, dry car, but nobody was in sight. I looked at the car—it was Jane’s. For the entire time I’d been looking for my blue car and had, by my sorry calculations, walked past Jane’s around twenty times.

How sad is that?

Slowing down

Slowing down

It’s amazing what the mind will do when it’s in overload. Mine slowed me right down. What’s your story?

Lamb to the slaughter

Lamb ragout

Lamb ragout

I’ve just finished At Home by Bill Bryson. Those of you who’ve read it will no doubt be nodding, grunting, smacking your lips, or whatever you do when you agree, when I say that Bill’s book is absolutely packed with facts—too many to easily recall as it happens, although in recent conversations some of them have conveniently popped back into my noggin when someone mentioned a key word. Unfortunately, not all of those recollections have been appropriate.

I couldn’t help myself at dinner the other night. We were talking about how fortunate we were in these modern times, dwelling particularly on the leaps and bounds made by medicine in the last fifteen hundred years or so, and comparing our longevity of life and general state of health with London’s less fortunate, mid-nineteenth century folk, who wallowed in a miserable miasma of ill health and often fatal disease.

As we progressed through the nourriture délicieuse—a superb lamb ragout—I began to answer a fairly innocuous

Busy with the body

Busy with the body

question directed to me on the subject of medical research from someone on my right. As I replied, some of Bill Bryson’s fascinating writing sprang to mind and, in no time, I was off and away chatting to my dinner partner about the ghoulish world of the resurrectionist.

In a typical year in the eighteen hundreds, there were twenty three schools of medicine in Britain’s capital, each requiring a heap of fresh bodies every day on which to hone their skills. The law specified that only the cadavers of executed criminals could be used, and as there were only fifty-odd executions out of 1600 death sentences in 1831, for example, a lively body business developed amongst the daring and insensitive.

Never enough volunteers

Never enough volunteers

The rush for flesh became a bit of a goldmine, with the cemeteries either unable to keep up with the demand, or too well guarded to risk life for limb, so to speak. To the infamous-to-be Burke and Hare this situation was unacceptable. In a time when the well-paid workers were earning a pound a week and a nice pinky-fresh body could bring up to ₤14, more direct measures were called for.

This ruthless, alcoholic pair went out and found people to befriend, got them drunk and then suffocated them by sitting on their chests and covering their mouths. Voila, another body ready for delivery—what excellent service. Fortunately, after fifteen (known) victims, the enterprising duo was caught, and after Hare turned King’s evidence and welshed on his mate, William Burke was hanged and, ironically, his body sent to a medical school for dissection.

I’d just got to discussing aspects of nineteenth century dissection implements with my dining companion when I felt, rather than noticed, that something was not quite right. I stopped mid-sentence and glanced around. To my embarrassment, all the other guests had ceased their conversations and were staring at me. The room had become deathly still.

The art of dissection

The art of dissection

I was saved by our host, who’d disappeared into the kitchen minutes earlier, missing the body of the conversation. She reappeared right on cue, carrying a large platter.

“More lamb anyone?”

Egg on my face

I couldn't put my finger on it

I couldn't put my finger on it

I had to laugh the other day. I was poof reading a section of a client’s book I’m writing when something niggled out of the page at me. I couldn’t put my finger on it straight away, but I was aware that I had been burning a little midnight oil and was on the lookout for any interesting little errors a tired brain can easily produce.

Sitting at my screen late at night is not usually my preferred working style. However, sometimes a client may request reasonable additional work to a manuscript at the last minute. Rather than derail the timetables of others: editors, page layout peeps, proof readers et cetera, this glitch in the schedule is best dealt with expediently, and the task naturally comes to me, the writer.

I know many of my colleagues prefer to tap away by the light of the silvery moon, starlight, or guttering candle. Oops, forget the guttering candle bit—that’s my creative mind kicking in—it’s more likely to be with a cup or three strong coffees hitting the gut. But, that’s what works best for them—quiet time—no phones, TVs, kids or other distractions. If I tried that on regular basis I’d have QWERTY permanently imprinted on my forehead.

By the light of a guttering candle

By the light of a guttering candle

Oh, yes, my error. I did find it and, in the process, found another. They weren’t that dramatic, but they’d have made my editor’s day if they’d slipped through. I was writing some dialogue where a homosexual was being confronted and being accused of being a pouf. Yes, that’s the same pouf—an 18th century, women’s hairstyle, not the poof of my story. Then my eye caught the second gaffe. My gay hero was straining beneath the yolk of oppression, and I’m sure if he wasn’t careful about it, he’d have egg all over his face.

I felt quite pleased with myself. I’d avoided giving my editor something to laugh about and the opportunity to insist on my buying his coffee. But I still wasn’t satisfied, and in doing a little more research found that pouf, as well as poof, can actually be used as a derogatory term for a homosexual.

More than one way to trap an editor

More than one way to trap an editor

Now, should I leave the pouf in place and attempt to trap my editor, upping the ante and tricking him into buying my coffee AND a large piece of chocolate cake? What do you think?

And did I get you on that proof reading pun in the intro?

Strangers in the night

That old security guard

That old security guard

How many times have you heard the expression, “Everyone’s got at least one book in them”? In non-fiction terms, I believe that everyone has—as long as they’re old, crazy, or experienced enough to have had some life experience. Of course fiction is a different story. You only need a vivid imagination. Well, along with a bucket load of passion, discipline and an awesome plot—hmm, quite a lot really.

Swinging back to non-fiction, because that’s what I mostly deal with, I’d like to tell you a little story about how the most unlikely people have the most fascinating tales to tell. But, before I do that, I’d like to ask you to think about the people we come across in our daily lives. Do they have stories to tell? How about the old security guard who checks your pass every day—ex SAS commando maybe? And the cab driver who drove you to the airport this morning—could he be a screenwriter or novelist, or a refugee with a harrowing story of loss and survival? I’ve heard one of those bios and it was only because I asked the right questions.

The art of studied indifference

The art of studied indifference

The other day I listened to part of an interview on the radio. It referred to the art of studied indifference, an art in which the speaker claimed New York subway users took top prize. In my experience, she was right. Take the London tube, or the Paris metro, in the evening (Friday nights are good) and almost every trip will be highlighted by an event. And it doesn’t matter whether it’s disgusting, hilarious, poignant, or plain daft, everyone will be openly scoping it out, if not joining in.

However, take the same event and repeat it on the NY subway and you’ll see scores of people continue to (pretend to) read, stare studiously into the middle distance, feign sleep, push their iWhatevers deeper into their heads and do everything possible not to acknowledge what’s happening around them.

After Hiroshima and Nagasaki

After Hiroshima and Nagasaki

As I was listening to this story, I was reminded of an evening some twenty years ago. I was staying at a smart, upmarket guest house in Tasmania where the hosts had a very agreeable policy of lumping all the guests together for dinner at the same large, round table. They had the only restaurant for miles, so if you didn’t want room service—that was it.

We were a merry bunch; getting very loud and boisterous as the wine flowed, nicely encouraged by the fact that nobody had to drive. As the night wore on, I noticed a more elderly couple who weren’t joining in the banality, and decided late in the piece to have a slurred sort of chat.

I had about ten minutes before they left, and it turned out to be one of the shortest ten minutes of my life. The couple—from the US—were both retired physicists who had worked right alongside Robert Oppenheimer to develop the atomic bomb. Horrified after the blasts at Hiroshima and Nagasaki, they’d migrated to NASA where they’d been directly involved in the Apollo manned moon landings and a bunch of other fascinating stuff.

Who's sitting right next to you now?

Who's sitting right next to you now?

The next morning I hurried downstairs to the dining room hoping to catch a little more of their story, but I was too late. The couple had left for a hike at first light. I’ve thought about them many times since and would like to thank them publicly in this blog for that brief window into their extraordinary lives. I’ve no doubt that fleeting meeting went a long way to developing the intense interest I have in people today.

Amazing who’s sitting right next to you, isn’t it?

Conversation with a ghost

I had a weird experience the other day. I’m perfectly comfortable talking with people and recording our chats with a view to writing books for them—that’s my job. But, I was taken right out of my comfort zone when Ian Kath, interviewer extraordinaire, decided that he’d like to create a podcast episode about ghostwriting.

Ian Kath, a genuine and sincere man

Ian Kath, a genuine and sincere man

For once I’d be on the other end of the microphone and I wasn’t really sure if I liked that idea. However, after only a few minutes, I warmed to Ian’s genuine and sincere personality and, realising I would be in safe hands, decided to give it a go.

Ian, the mastermind behind two fascinating podcast websites—yourstorypodcast.com and creatyourlifestory.com—has decided to follow his passion and “create a space in my life for change, a place to meet new and interesting people and a place to create a way for some others to see how others live and develop a little more empathy for others so that we will realise that fundamentally we are all the same and want similar things as each other and that there is more that connects us than separates us.”

I had no idea where Ian was going to go with this interview. There was no preparation at all. We just sat down and had a great conversation. And here it is:

Riding a rollercoaster

I don't normally read about troubled teenagers

I don't normally read about troubled teenagers

About half-way through the book I’ve just read, the sixteen-year-old protagonist finds himself in Austen, Texas, at a crossroads in some very absurd proceedings. I say absurd because this wretched individual manages to get himself in very deep shit, his life rocketing from bad to terrible with comic speed.

I wouldn’t normally want to read about the adventures of a troubled teenager, but the fact that this book won the 2003 Booker Prize, the Bollinger Wodehouse Everyman Prize for Comic Fiction, and the first novel award in the 2003 Whitbread Awards, and the only other readable thing in my universe at the time was a webcam manual, I gave it a shot.

Getting back to the crossroads in Austen, it was at that point in the book when I became utterly hooked. I stopped reading, stared at the ceiling and tried to work out where the hell the author was going to go with the narrative. He’d set the main character brilliantly, constructed the background of a painfully sad parochial Texan town in cringe-worthy detail, and had all the extras set and ready to go. But where?

The story was poised to go anywhere and—totally sucked in—I would follow it blindly. I was so into it that if someone had attempted any form of book theft at that point, the ramifications would have been of global proportions.

Some things stand out like dog's balls

Some things stand out like dog's balls

It was also late and I had to head for bed, presenting me with a tangible dilemma. We keep books out of the bedroom as a matter of course, so how to safeguard my reading material? I slept easy after I’d hidden the book and left my new iPhone, laptop, and a wad of cash in plain sight to deter any burglars from looking too hard for it. Yes, it was that good.

Where a book’s heading is usually bubbling away in the back of my mind as I read—a writer’s thing, I guess. But, for all of us, the thread of the story is critical to its readability and, therefore, its credibility. Insane things may happen in the story, but you want to believe they can, don’t you? A bad story line can snap you back to reality very quickly. It’s jarring, much like a ytpo appearing, or a lack of continuity becoming glaringly obvious. Yes, those editing slips jump out like dog’s thingies and can really spoil a good read.

It took me on a rollercoaster ride

It took me on a rollercoaster ride

So, where was this particular story going? The one in the book, I mean. It could go anywhere and did. And from a writer’s perspective, I had oodles of ideas of where it was headed —all wrong. I was on tenterhooks right up to the last word. The author had built such a strong and versatile platform that he reached out, grabbed me, and took me on a rollercoaster ride. Now that’s good writing.

If you haven’t worked it out, the book is Vernon God Little by Australian born author, DBC Pierre (Peter Finlay).

Food for thought

Trials and tribulations of my characters

Trials and tribulations of my characters

Well, I have been remiss. And thanks to all those wonderful people out there who’ve reminded me that nothing fresh has appeared here for a while. I’d like to (and will) protest that my recent lack of blogging steam has been the result of a fascinating book project. This is, I’ll add, resulting in a fascinating book—a best-seller, no doubt. But you’ll have to take my word for that.

Of course, I could have plonked myself down in front of the screen after a hard day’s words and managed something to fill this space, but I’ve been knackered and all I’ve wanted to do is settle down with a book for an hour’s unwinding before sleep.

Reading is my process of defragging. Like a magic carpet,

Sharing my mindwaves

Sharing my mindwaves

it takes my mind away from the deep (and sometimes dark) trials and tribulations of my characters, giving the springs and cogs of creativity time to huff, puff, and wheeze into a peaceful standstill. The alternative is to try and sleep on a bed of a thousand thoughts, but when I’ve done that, I’ve found that those errant mindwaves aren’t necessarily confined to my head, but tend to ping noisily around the room, disturbing my wife’s precious drift into dreamland.

So, what does a ghostwriter read? Just about everything under the sun, in my experience. There are certainly books I wouldn’t want to ’fess up to having read, and plenty I just can’t get into. But there’s an aspect of reading that I do want to share, and that’s the discovery that a particular author one’s stumbled across, and enjoyed immensely, has a host of previously published works. It’s like finding a veritable gold mine.

Start with The Eyre Affair

Start with The Eyre Affair

A recent blog mentioned Jasper Fforde and his whacky novel, Shades of Grey. I was discussing this book with an extremely bright, young someone a couple of weeks ago when she told me that Mr Fforde had written a plethora of crazy and absurd books. She described them as silly books for intelligent people. I’d prefer to omit that she looked at me sideways at this point, no doubt gauging whether I was intelligent, but my honesty prevails.

The books she recommended were the Thursday Next series, a wonderful romp through literature as we’ll never know it. The wonderful thing about reading Ms Next’s adventures is that it doesn’t really matter how much in-depth knowledge of literature (good and bad) the reader has in order to enjoy them. There’s something for everyone.

Those who’ve read the books will know exactly what I mean when I say that you sink into the pages line by line—the write stuff for an overworked brain looking for something to hang a grapple to. Give them a go—get lost in a good book.

Oh, and try really hard to read them in order, starting with The Eyre Affair.

Stranger than fiction

Some words hold water better than others

Some words hold water better than others

Have you ever read a novel and stopped somewhere thinking, yeah right? That little something that hasn’t quite held water, jerking you rudely out of the narrative perhaps?

I was reading a story the other day when a synchronous moment it described did just that. It brought me back to reality like a twanging elastic band. I grumbled at what I felt was the author’s too vivid imagination and went off to do some shopping. And that’s where my real life story begins to stretch belief.

I was away from home a great deal longer than I’d anticipated. On the way back, feeling extremely thirsty, I was lamenting that I’d forgotten to bring any water with me, so I pulled into a service station to get fuel, intending to buy some eau en bouteille at the same time.

No luck. The servo’s EFTPOS system had imploded, leaving the shop hamstrung. They were unable to charge for

I was feeling a little thirsty by this time

I was feeling a little thirsty by this time

fuel or goods, so they had switched off the pumps, closed the doors, and put the kettle on.  By this time I was very dry and exceedingly grumpy, asking the guy on the forecourt—only slightly sarcastically—if the EFTPOS being down had affected the air pump too.

I thought that I could at least check the tyre pressures and put some meaning into my visit before collapsing to the concrete with extreme dehydration. With any luck the EFTPOS would remain out-of-order long enough for the paramedics to be called, otherwise my rapidly desiccating body would be bounced around the pumps by a mad rush of vehicles when the place reopened.

The guy’s radiant, toothy smile made me feel instantly guilty and I decided to put a cap on my churlishness right then and there. My resolution was so strong that when I drove over to the air hose and saw it almost completely blocked by a campervan, I shrugged philosophically and took some time to manoeuvre around and squizzle the car as close to the pump as I could.

He was possibly from Austria

He was possibly from Austria

I’d just turned the engine off when a young man jumped from the campervan and walked toward me carrying two full two litre bottles of mineral water, another one half-full (please note the use of half-full rather than half-empty here), and a large bottle of fizzy drink.

His accent was probably Austrian.

“So, we are flying to Sydney in two hours and cannot carry this on the plane. Do you like it?”

I took the gifts and thanked him. As I guzzled back some of the water, my mind went back to that small fictional synchronicity I’d been reading. Now, if I included that water-manifesting story in a novel, I bet you wouldn’t believe it. And yet it happened.

Out of your comfort zone

Ben Elton

Ben Elton

I was reading Ben Elton’s Meltdown the other night when I realised that some of the characters really pissed me off. Well, I didn’t realise it exactly. My wife, prompted by a few too many huffs and puffs, asked me gently if I was alright.

Jane Teresa will often ask me questions. She always has. In fact, from what I understand, she’s had an enquiring mind since she could first speak and, on a number of occasions, drove her mother crazy with queries. I guess that’s what catapulted her into the scientific world and then into her own research into dreams, but that’s another story.

A selfish and grasping character

A selfish and grasping character

I was so deeply engrossed in the book that I hadn’t realised that I was making an issue out of Ben’s characters until JT mentioned my obvious discomfort. I suppose discomfort is the word. Some of the people in the story were dickheads and, as the plot progressed, they developed into obnoxious dickheads. It was making me angry.

Of course that was Ben Elton’s idea. For example, the selfish, grasping, bad behaviour portrayed by one of the protagonists was meant to prickle and upset the reader. Unless they too were selfish and grasping in which case the whole point would be lost. But, again, they wouldn’t be reading the book anyway, would they? Too busy out there grabbing.

When I sat back and thought about it, I wondered if I really wanted to read the book at all. I had to make a decision. I was at the point in the narrative where I would shortly be sucked in and would have to finish the book. It’s happened to me too many times before not to be aware of it. What a choice – continue, knowing that I was going to grind my teeth until I was ready to climb inside the pages and give what’s his name a quick slap, or toss the book to one side and pick up another one without all the angst in it from my burgeoning to-read pile?

There's plenty of happiness around

There's plenty of happiness around

Do we really need to have books upset us? Is avoiding writing that challenges us ducking the realities of life? In my case I know the answer. From time to time my long life has been well drenched in other people’s dramas and sorrows. Conflict and death aren’t strangers to my memories. I’ve pretty much seen it all – very, very good and very bad. I wouldn’t swap my life’s experiences for anything. Well, not a lot anyway and only some things. Why would I choose to immerse myself in a story of bickering and misfortune when there’s so much happiness in the world to enjoy? It just reminds me of the blacker side of real life.

What do you think?

And Ben Elton’s tale? I did finish it. And I did enjoy it.